James Travis Reeves (August 20, 1923 – July 31, 1964) was an American country and popular music singer-songwriter. With records charting from the 1950s to the 1980s, he became well known as a practitioner of the Nashville sound (a mixture of older country-style music with elements of popular music). Known as 'Gentleman Jim', his songs continued to chart for years after his death. Reeves died in the crash of his private airplane.
He is a member of both the Country Music and Texas Country Music Halls of Fame.
George Bennard The Old Rugged Cross by George Bennard The United Methodist Hymnal, No. 504 On a hill far away stood an old rugged cross, the emblem of suffering and shame; and I love that old cross where the dearest and best for a world of lost sinners was slain. Download Motogp 2013 Game For Pc here. Refrain: So I’ll cherish the old rugged cross, till my trophies at last I lay down; I will cling to the old rugged cross, and exchange it some day for a crown. What do the gospel hymns “The Old Rugged Cross” and “I Come to the Garden Alone” have in common? Both compositions were completed virtually at the same time (1913) by American Methodists. Each reflects on key symbols of Holy Week – the cross of Good Friday and the garden of the Resurrection.
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Both songs speak from a first-person perspective, composed in a ballad style (6/8 meter) with refrains. Both songs place the singer in the biblical scene, one at the foot of the cross where Jesus hung, and the other in the garden walking with the risen Christ following the Resurrection. The composers composed both the words and the music. Perhaps most of all, both George Bennard and C. Austin Miles wrote songs that many parishioners deeply love, and others love to hate. George Bennard (1873-1958) was born in Ohio, but raised in Iowa. Converted at a Salvation Army meeting, he later became a Methodist evangelist.
The composition of the song began in Albion, Michigan, late in 1912 and was finished during a revival in Sturgeon Bay, Wisconsin, where Bennard and his revival partner, Chicagoan Ed E. Mieras, premiered it as a duet on the last evening of the meeting, January 12, 1913.
The famous gospel song composer Charles H. Gabriel (1856-1932) assisted Bennard with the harmony and, as is often said, the rest is history. The completed song was first published in Heart and Life Songs for the Church, Sunday School, Home, and Campmeeting (1915), edited by Bennard and two other colleagues. From this point, it became a staple of Billy Sunday’s evangelistic crusades, promoted by his chief musician Homer Rodeheaver (1880-1955), who eventually bought the rights to the song. The composer employs the poetic device of hypotyposis – painting a scene – in his text. In stanza one, he describes the cross “on a hill far away,” though one may still picture the scene as if kneeling at the foot of the cross.
Stanzas two and three refer to Christ on the cross. In stanza two, Christ is called the “dear Lamb of God” (John 1:29). The reference to Jesus is more direct in stanza three. Furthermore, he adds to the hypotyposis by noting that the cross is “stained with blood.” Another poetic technique employed effectively by the composer is that of paradox. Kurzweil Sp4 Editor Serial Port.